Dramatization in the Reality Show Program of Katakan Putus Eps Cowok Playboy: An Analysis of Charles Sanders Peirce’s Semiotics of Communication
Keywords:
Television, Reality Show, DramatizationAbstract
Television is a mass medium that serves as a means of education, information, and entertainment. Television footage can be interpreted as a performance event that is displayed or broadcast media through television. These impressions can be entertainment, information, education or the like impressions about paendidikan. Television footage has formats such as news, sports, infotainment, talk shows, reality shows, etc. The high demand for the program on the television drama show creator successful fiction programs dominate the glass screen in the homeland. However, the assurance audience requires different innovative products as evidenced by the presence of some non-drama programs were also successfully filling prime time. One of them non-fiction program that has a fantastic audience share is a reality show. Reality show ie, program starring people who are not artists / actors, but even so the event program was arranged by the screenplay written by the producer. Causing a dramatization of the reality show in the program. In the dramatization of the reality show program say breaking shows in verbal and non verbal debates, speaking roughly, sad, surprised, shocked, angry, mutually mocking and others. All of that is shown by exaggeration or hyperbole by the producer to show how strong the dramatization in society is. Appearances that exaggerate the scene or action by the producers are fond of showing "drama" in every per episode. The meaning of the word dramatization will always be synonymous with an action or deed done by a person, where the act is then a special concern for some people who witnessed, listened or even participated feel it.
Downloads
References
Afgiansyah. (2014). Produksi Musik Dan Hiburan: Reality Show. Jakarta.
Ardianto, Elvinaro. (2007). Komunikasi Massa : Suatu Pengantar Edisi Revisi. Bandung: Simbiosa Rekatama Media.
Bungin, Burhan. (2006). Sosiologi Komunikasi: Teori, Paradigma, dan Diskursus Teknologi Komunikasi Di Masyarakat Cetakan Ke-1. Jakarta: Prenadamedi a Group.
Bungin, Burhan. (2014). Sosiologi Komunikasi: Teori, Paradigma, dan Diskursus Teknologi Komunikasi dalam Masyarakat Cetakan Ke-7. Jakarta: Kencana.
Dadan, Rusmana. (2005). Tokoh Dan Pemikiran Semiotika. Jakarta: Tazkiya Press Danesi, Marcel. (2010). Pesan, Tanda, dan Makna: Buku Teks Dasar Mengenai Semiotika dan Teori Komunikasi. Yogyakarta: Jalasutra
Eco, Umberto. (2011). Teori Semiotika: Signifikasi Komunikasi, Teori Kode, serta Teori Produksi-Tanda. Yogyakarta: Kreasi Wacana
Fachruddin, Andi. (2015). Cara Kreatif Memproduksi Program Televisi. Yogyakarta: CV Andi Offset.
Griffin, EM. (2005). A First Look At Communication Theory. Boston: McGraw Hill.
Halim, Syaiful. (2013). Postkomodifikasi Media: Analisis Media Televisi Dengan Teori Kritis dan Cultural Studies. Yogyakarta : Jalasutra
Halim, Syaiful. (2017). Semiotika Dokumenter: Membongkar Dekontruksi Mitos Dalam Media Dokumenter. Yogyakarta: Deepublish.
Hidayat, Dedy H. (2003). Paradigma dan Metode Penelitian sosial Empirik Klasik. Jakarta: Departemen Ilmu Komunikasi FISIP Universitas Indonesia.
Kaelan. (2009). Filsafat Bahasa Semiotika dan Hermeneutika. Yogyakarta: Paradigma.
Mabruri, Anton. KN (2013). Manajemen Produksi Program Acara TV: Format Acara Non-Drama, News, & Sport. Jakarta: Gramedia Widiasarana Indonesia.
Moleong, Lexy J. (2015). Metode Penelitian Kualitatif Edisi Revisi. Jakarta: Rosda.
Mulyana, Dedy (2012). Ilmu Komunikasi : Suatu Pengantar. Bandung: Pt. Remaja Rosdakarya.
Mulyana, Deddy (2003). Metode Penelitian Kualitatif. Bandung: Pt. Remaja Rosdakarya.
Romli, Khomsahrial. (2016). Komunikasi Massa. Jakarta: Gramedia Widiasarana Indonesia.
Sutisno, P.C.S. (1993). Pedoman Praktis Penulisan Skenario Televisi dan Video. Jakarta: Grasindo.
West, Richard dan Lynn H. Turner. (2010). Pengantar teori komunikasi: Analisis Dan Aplikasi. Buku 2 Edisi Ke-3. Jakarta: Salemba Humanika.
Downloads
Published
How to Cite
Issue
Section
License
Copyright (c) 2025 Yugo Dwi Prasetio, Azizah Nur Aulia

This work is licensed under a Creative Commons Attribution-ShareAlike 4.0 International License.
All articles published in the International Journal of Visual Communication and Design are licensed under the Creative Commons Attribution-ShareAlike License (CC BY-SA). This license allows others to share, adapt, and build upon the work, even for commercial purposes, as long as they credit the original creation and license their new creations under the identical terms.
By submitting and publishing with the International Journal of Visual Communication and Design, authors agree to the following terms:
Ownership and Copyright
Authors retain copyright and grant the journal the right to first publication. The work will be simultaneously licensed under the Creative Commons Attribution-ShareAlike License (CC BY-SA), ensuring continued free and open access to the research.
Attribution Requirements
When reusing or redistributing the published material, proper attribution must include:
- Citation of the original article.
- Mention of the journal name and publication date.
- A link to the published work and the license details.
ShareAlike Terms
Any derivative works based on the original must be distributed under the same license (CC BY-SA).
Open Access
The International Journal of Visual Communication and Design is dedicated to open access, providing free and unrestricted access to all published articles without subscription fees or other access barriers.
Author Warranties
By submitting the manuscript, authors warrant that:
- The work is original and has not been published elsewhere.
- All co-authors consent to publication.
- The work does not infringe on any copyright, trademark, or proprietary rights.
No Additional Restrictions
Authors and readers are not permitted to impose legal terms or technological measures that legally restrict others from doing anything the license permits.